Friday 20 December 2013

The Christmas Ghost Stories Of Lawrence Gordon Clark Review

The Christmas Ghost Stories of Lawrence Gordon Clark
By Matthew E. Banks, B.A. ©2013



On December 24th 1971, M R James, the father of the modern ghost story was given a new lease of life when the BBC gave us a new tradition in The Ghost Story for Christmas series. It was a tradition that was to run consecutively for the next few years, with seven dramatizations, five of which were based on  short stories by M R James and directed by Lawrence Gordon Clark.

Many earlier Jamesian telecasts have been lost but those of Lawrence Gordon Clark are not only fondly remembered, they have achieved classic status and rank as the best of British Television amongst its contemporaries. The first of these was The Stalls of Barchester (based on The Stalls of Barchester Cathedral) and starred Robert Hardy, Clive Swift and Thelma Barlow. This was followed on December 24th 1972 with A Warning to the Curious starring Peter Vaughn and revising his Doctor Black character from Barchester was Clive Swift. December 25th 1973 saw the broadcast of Lost Hearts, one of James’ most popular stories starring Joseph O’Conor and Susan Richards. December 23rd 1974 brought The Treasure of Abbot Thomas starring Michael Bryant. Finally on December 23rd 1975 and written by David Rudkin the BBC brought us their final Jamesian outing in The Ash Tree[1], starring Edward Petherbridge, Preston Lockwood and Barbara Ewing. That was the last of the Jamesian adaptations until 2005’s A View from a Hill.

Clark would later return to Jamesian territory on April 24th 1979 when he directed and produced for ITV a version of Casting the Runes, adapted by Clive Exton and starring Edward Petherbridge, Jan Francis and Iain Cuthbertson

Now award winning publisher, Spectral Press under their new imprint Spectral Screen is bringing out a three edition celebration of those dramatizations titled The Christmas Ghost Stories of Lawrence Gordon Clark. Edited and with an introduction by film historian Tony Earnshaw and a foreword by Jamesian connoisseur Mark Gatiss (who is writing and directing a new version of The Tractate Middoth for BBC Christmas 2013), the book features all the tales by M R James from which the dramas were adapted, each with a new introduction by Gordon Clark himself.


Each edition offers something more than its predecessor. The paperback (cover above) has Gatiss’ forward, Earnshaw’s introduction, the seven M R James tales: The Stalls of Barchester Cathedral, The Treasure of Abbot Thomas, A Warning to the Curious, The Ash Tree, Casting the Runes and Count Magnus all with exclusive new introductions by Lawrence Gordon Clark and an appendix by Earnshaw of Clarks’ filmography and awards.



The unsigned hardback comes in a dustjacket of the paperback cover and features all of the above. The special features to this volume are a Q & A with Lawrence Gordon Clark with Tony Earnshaw and is illustrated with photographs and chapter heading vignettes by Nick Gucker (The Treasure of Abbot Thomas is above.)  This is strictly limited edition, with a run of 100 copies at £35.00.

But the prized version is the deluxe edition, with a quarter cloth with foil stamping cover and a cloth covered slipcase. The special features to this edition make this one a must: the teleplay of the un-filmed Count Magnus by Basil Copper, Lawrence Gordon Clark’s stage play of Lost Hearts as well as examples of Clark’s story boards. This is a strictly limited edition run of 50 copies, signed by Lawrence Gordon Clark. It is priced at £75.00

It is a beautifully crafted book, with Gatiss’ foreword short and straight to the point.  Tony Earnshaw’s informative introduction in which he recounts how he became friends with Lawrence Gordon Clarke, has championed his work and discusses at length the five dramatizations is insightful and interesting. The six James stories are all introduced by Lawrence Gordon Clark and give an insight into his relationship with each text, for example he states that he chose ‘The Stalls of Barchester Cathedral because it is one of his most intricate and ultimately chilling stories.’  The information here may or may not be known by Jamesian scholars, but it is refreshing and entertaining. Each of the stories has a title heading illustration by Nick Gucker and adds to the Jamesian feel of the book. Also included is a non-Christmas Ghost story ‘Casting the Runes’ which was directed for ITV and the unfilmed ‘Count Magnus.’ There are also three appendices that cover Clark’s career, awards and biographies.

A long time ago, for an Eton Ephemeral I wrote, ‘One dark, bleak, winter’s night, I was indulging in the rare pleasure of an hour of undisturbed reading, comfortably tucked up in bed with a copy of M R James’ classic ghost tale ‘Oh Whistle and I’ll Come to you, My Lad’… Suddenly a noise in the corner of my room broke my complete absorption in the book. The door of my wardrobe swung slowly, ominously open… The words I had been reading suddenly took on a whole new depth of meaning to me:

“The fear of it went nigh to maddening me…

It is this ‘hidden’ fear that James captures so perfectly and this book, with Clarks’ insights into the making of his ghost stories only adds to the depth of James’ work. It is a must for all connoisseurs of Gordon Clark’s work and a worthy contribution to your M R James collection.








[1] Stalls of Barchester repeated BBC1 16th August 1972, BBC2 December 24th 1995 and on BBC4 on December 26th 2004
   A Warning to the Curious repeated December 26th 1992 on BBC2, December 24th 2004 BBC4, December 20 2005 BBC4
   Lost Hearts repeated BBC2 December 24 1994 and on BBC4 December 19th 2005
  The Treasure of Abbot Thomas repeated BBC2 December 24th 1993 and BBC4 December 23rd 2004
  The Ash Tree repeated December 18th BBC4 2005
  All are currently available on DVD from BFI.

Monday 16 December 2013

WE BELONG DEAD ISSUE 11 REVIEW

December has been a particularly busy month with my trying to complete a short story, working on Dracula's Daughter and having to do some serious rewriting to parts of my research on Charlotte Dymond as well as go for job interviews and prepare for the Christmas season ... So it comes as an enormous thrill and huge boost to me that We Belong Dead Issue 11 has been given a fantastic review at Monster Magazine World
 The link for the full review is here: http://monstermagazineworld.blogspot.ru/?zx=6f13a28bbf321dec


And why I'm so thrilled is that for the first time one of my pieces has been given an in-depth review:
For all the reverie regarding Hammer films, the gem of the issue is about a movie rooted in Hollywood and directed by a Czech. However, it does star a very famous British actor and it is all the better for it. Matthew E. Banks’ retrospective, “The Black Cat: Re-examining a Horror Classic” delves deep into the perverse psyche of this unquestionably bizarre entry in Universal’s classic era of the 1930’s. Subtitled, “A Catalogue of Satanism, Sadism, Homoerotica, Necrophilia and Murder”, THE BLACK CAT(Universal, 1934) is not a “monster movie” at all in the conventional sense, and instead relies on the characteristics of the human monster and the limits of grief, guilt and suffering – along with a generous dose of the dark side of human nature. The film exudes decadence, and for good reason. Director Edward G. Ulmer, co-writing the film treatment with mystery author Peter Ruric, derived his inspiration from Polish decadent fantasist and mystic, Gustav Meyrink, author of Der Golem (1915), which Paul Wegener filmed as an early silent (Ulmer worked on the film as well, helping to design the sets). Along with Hanns Heinz Ewers, author of Alraune (a 1911 entry in the Frankenstein cycle that tells of the creation of a homunculus by fertilizing the womb of a prostitute with the semen of an executed murderer) and Karl Hans Strobl (a prolific writer of schauerromanen influenced by Poe and contemporary Ewers, and who later became a supporter of the Nazi party), Meyrink is the most notable of the Germanic supernatural and weird fiction writers. Once a member of the elite secret occult organization, The Hermetic Order of the Golden Dawn, Meyrink immersed himself in the European mysticism and metaphysics that had its golden age during the mid-to late 1800’s, the same period that the Decadent and Symbolist movement in art and literature flourished. Ulmer capitalized on Meyrink’s perverse and unholy themes and turned one of his film’s subplots from diabolism into outright Satanism. THE BLACK CAT, even though once removed from its Universal gothic brethren of the times, transcends the comparative triteness of mere scary monsters into a world of true horror and human debasement. Themes of transgression and subversion abound in THE BLACK CAT. For instance, elements of homoeroticism in the film – both left in and edited out – are discussed using references by author David Skal, who has a knack for trolling through film history for these examples. Although other actors were considered, Karloff and Lugosi could not have been better choices for the two lead roles. Overlooking the usual (and thankfully brief) comic relief sequences that were needlessly added into otherwise serious horror films, THE BLACK CAT is infused with a dreamlike, nonightmare-like quality that at least equals Carl Dreyer’s celebrated horror fantasy, VAMPYR (1932), released just two years before. The essay is well-researched and written, but contains some errors. For instance, the spelling of author Gustav “Meyrinck”, while a being possible alternative, is more commonly spelled, “Meyrink”. Also, the reference to “Alister Crowley” is misspelled from Greg Mank’s source and quotation and carried on into the narrative – the correct spelling of the man’s name who was known for a time in the British press as “The Wickedest Man in the World” (and who, like Meyrink, was a member of The Golden Dawn) is “Aleister” Crowley. All things considered, Matthew E. Banks’ erudite and thoughtful work would not be lost in the running for a spot on the “Best Magazine Article” ballot of this year’s provincial but prestigious Rondo Awards.

I have checked out the two spelling mistakes that were mentioned, it would seem that my spell checker auto corrected Aleister to Alister, but the spelling of 'Meyrinck' is from an actual quote! I hope that people do vote for my article - but I cannot wait for them to read The Raven... in issue 12

Not only have I been doing the above, but Spectral are bringing out a book The Christmas Ghost Stories of Lawrence Gordon Clark and I made a little promotional video and you can find it here: http://www.youtube.com/watch?v=CQOjACfdXZM

You can order the book from Spectral direct at this link: http://spectralpress.wordpress.com/2013/12/03/the-christmas-ghost-stories-of-lawrence-gordon-clark-paperback-cover-reveal/

Simon Marshall-Jones Spectral's owner will be at the NFT in London on Wednesday December 18th and at the Derby Quad on Thursday 19th where Lawrence Gordon Clark will also be in attendance). If you can, go and check it out :)



I hope that you enjoy it and go and buy the book :) Merry Christmas to you all :)